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Review of Organizing Genius: The Secrets of Creative Collaboration
by Evelyn Burry
Organizing Genius: The Secrets of Creative Collaboration by Warren Bennis and Patricia Ward Biederman
(Addison-Wesley, 1997)
Organizing Genius provides a fascinating glimpse into the dynamics of
exemplary organizations — exemplary in terms of creativity, leadership,
and teamwork. Using the definition of creativity as "connecting things,"
the authors define creative collaboration as a special kind of teamwork
that yields extraordinary results. Such collaboration is the result of
"great leaders who exist in fertile relationship with Great Groups" (p. 3).
Bennis and Biederman tell seven true stories of creative collaborations
from a range of fields. The stories may be used either as think pieces or
as "how-tos." I found myself doing both.
The stories, with topics ranging from Disney animation, to Black Mountain
College, to the military "skunk works," share common elements. Everyone in
a Great Group is gifted, driven by intrinsic motivation, aligned with the
clear group mission or collective goal, willing to sacrifice self (and on
the downside, sacrifice family), and eager to find joy in discovery. Great
Group members tend to be male, white, and young — tinkerers and boundary
busters with extreme confidence.
The Great Group is organized with a focus on talent, not titles. Roles are
not interchangeable. The sense of autonomy is strong, yet focused on the
common goal. Control and external constraints are minimal. The place where
the group gathers to work is serviceable, perhaps even shabby. The results
of the work of the Great Group are tangible.
Leaders of these creative, collaborative groups are pragmatic dreamers with
original vision, keen eyes for talent, and skill in building commitment
among group members. They are trustworthy, and they accept failures.
In the final chapter, fifteen take-home lessons are listed. These provide
interesting dialogue starters for existing or new teams.
However, I question some of the lessons. For example, does a group need to
think of itself as an underdog to collaborate creatively? What does the
"win-lose" attitude contribute to — and take from — a group?
The lessons lead me to question some of the practices we have in our church
organizations, especially congregations. Some policies may promote
mediocrity instead of creativity. How much does enforced rotation of
leadership deter from maximum achievement? Church leaders can take the lead
in exploring these questions.
Organizing Genius also raises some other questions for me:
- Why are women and racial ethnic groups under-represented in Great
Groups?
- Must the focus on the common goal be so intense that family and
outside relationships suffer?
I hope that Bennis and others who study the broad field of leadership and
groups will explore these questions.
Evelyn Burry is retired from the staff of the General Board of Discipleship.
(originally posted August 1997)
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